
Old Bottles (Coastal Maine)

Writer – Photographer – Visual Artist


Curating the most notorious, illuminating interviews from an American icon isn’t easy.
Willie Nelson’s words can be found everywhere: TV, radio, movies, and on the many musical recordings he is responsible for over a decades-long career. Nelson, the last surviving member of The Highwaymen, has outlasted most of his generation of outlaw country musicians. And he is still releasing albums—and featuring on tracks with current superstars such as Beyoncé. Nelson is an American institution.
This collection reveals the icon as a complex and contradictory man, elusive at times, revealing at others. Willie Nelson on Willie Nelson is a collection of interviews that illuminates him not only as a musician, but as an actor, writer, political and animal-rights activist, drug advocate, and environmentalist. These interviews with Nelson, many of them unseen for decades, range from the early 1970s until 2020 and tie together with connective stories tethering a biographical timeline and compositional history of his most-beloved songs and albums. They reveal not only the life and work of Nelson, but also a bevy of committed journalists, some of them amateur, whom Nelson welcomed, one and all, to share his sometimes-radical worldview on an adoring public.
This oil painting (24″ x 36″) was completed using a palette knife on stretched canvas. It is based on an original photo taken by me on location.
It is for sale. Please send a private message for details.
“Boot Cove – Lubec (Winter)” (2023)
Mixed Media (Acrylic & Gouache)
12″ x 16″
One of the things that attracts me about where I live is the icy North Atlantic and the majestic cliffs of Maine’s Downeast coast. In this painting, I wanted to evoke the icy waters bashing the ancient rock which I attempted to do by using only a palette knife and building paint layers as they dried.


Oil on Wood Panel
13″ x 18″
SOLD

“Black-eyed Susans & Chickory” (2023)
Lubec, Maine
10″ (25.4 cm) x 20″ (50.8 cm) – Oil on Canvas
50.8 x 25.4 cm

Shades of Night Descending (2023)
Oil on Canvas
36” x 36”
For this painting, I repurposed another painting that was tossed to the roadside. It was some floral pattern or other which I was equally tempted to leave where I found it. But, since this is a town with a short shrift of art supplies (meaning that there are no stores whatsoever, and so I have taken up the habit of scavenging for my subsistence). Without much planning aforethought, my impulse was to first coat the canvas with trowels of an acrylic base from which to build my oils. Once that dried, I first made a gradation of dark to light not heeding the temptation to work from either extreme. Layer was built upon layer, from a sun boiling in flaming hues to the sands shining like gold bouillon under the last vestiges of daylight. All in all, the painting pulled itself together via a force of spirit so that I do not remember much of what I did to achieve my finished work (dismal or otherwise).

Acrylic and gouache on driftwood
Driftwood from Carrying Place Cove – Lubec, ME.

Oil on canvas